Yeah, I know, this isn't a movie review blog, but I can't help it - you have got to go see "Death at a Funeral"!!! While down in Virginia visiting S, I had the great good fortune to see it, and I can't say enough good things about it! Alan Tudyk (the pilot of "Firefly") is just one of the many wonderful actors that make this a highly successful film. Click on the subject line and check out the website. Better yet, go see it when it comes to your city (alas, for some bizarre reason it's only showing in 200 cities across the US).
And yes, it's even better than "Stardust." Whodathunk?
I've got a lot of catching up to do tonight, now that I'm finally almost ready for classes to start on Monday. I'll start with the last two projects from my painting class, one that I am very happy with: the one my teacher, Ro, called our "loosey-goosey" portrait. She told us to do anything we wanted, incorporating elements besides paint if we wished. I began with a bindu, of course, which at first I intended as a bindi - nice little pun, only it turned into the nose instead.
As you can see, the face became an yin/yang symbol, and the yin/yang shapes kept appearing in other places in the design. It turned into a painting for N, which I called "I Will Meet You In Your Dreams," something that I often say to her at night. The face has a bindi after all, and there are mini mandalas in the painting, as well as the Chinese symbol for breath, the Hebrew letter "chai" (for life) and the Sanskrit "aum."
One of my classmates said that all of my painting is "fluffy," a characterization I didn't much appreciate until she told me she meant it was calming, which is a good thing - this one in particular I intended to be tranquil and reassuring. She said my paintings seem like they'd be good illustrations for children's books. Hm. That's okay, but fluffy? That I don't like.
Here, just to show you that I'm modest, is the portrait. I don't like it. One of my classmates exclaimed "Ooo, it's just like a china doll!" and I agree - no life to it at all, though I am not sure that's what she meant, exactly. I didn't enjoy doing it at all. I learned quite a lot, and it's better than I thought I could do, but I don't expect to do any more portraits, and that's a huge relief. All the others were fun to a certain extent, but this one was just onerous work.
Glad it's over.
I got an A in the class. I learned a lot, and for the most part it really was fun. I don't plan to take any courses this fall; I do plan to paint more, though! The thought of giving "my" paints to Z for her 2-D Design class is painful, but we can share. She shared her brushes with me, after all!
And now on to books. Peggy Orenstein's Waiting for Daisy was the next on my list from Elle. I read it in two sittings, not because it was such a fast read, but because I couldn't stop reading it. Orenstein is a very good writer, and her story is compelling - but that's only part of the reason. Her story is also, in part, my own story, and she wrote about things I hadn't thought about for many years.
Orenstein's book is about a lot of things, including infertility and what the quest for a child can do to a couple. Her descriptions of taking her temperature, keeping ovulation charts, talking to doctors, dealing with the INS - all of that evoked in me emotions I had not felt since I finally became a mother.
Of course, the title rather gives the ending away, but there is much more to this book than even the long subtitle would suggest (Waiting for Daisy: A Tale of Two Continents, Three Religions, Five Fertility Doctors, An Oscar, An Atomic Bomb, A Romantic Night, and One Woman's Quest to Become a Mother). Orenstein's honesty captured me from the start; I felt she was speaking directly to me, woman to woman. Her last chapter alone is worth the price of the book, and should be required reading for every infertile couple and every infertility doctor.
Too much thunder & lightning; have to shut down the computer for now. Go read the book. It's not just for people with infertility issues - it's a damned good story.